“A Day in the Life” of “Tomorrow’s Child” Actress Anna Cummer

Anna Cummer is my wife. We met in Vancouver almost twenty years ago when we both worked at The Vancouver Playhouse. We married in 2009 and started a family in 2010. In 2012, when I was offered the Artistic Directorship of Vertigo Theatre here in Calgary, we pulled up roots and moved to Alberta. And what a great move it has been!

Anna found the shift to Calgary’s very welcoming arts scene an absolute delight. She quickly began working on many stages in the city including Theatre Calgary, Vertigo Theatre, and ATP as well as with smaller companies such as Verb Theatre, Lunchbox, Downstage, and The Shakespeare Company. She also continued her film career and expanded her work in voice-over from animation to include commercial radio. More recently, Anna has begun writing plays, a career shift for which I take full credit. Her play, Whispers in the Dark, was produced at Vertigo in January to great acclaim.

Anna is one of the most rigorous artists with whom I’ve had the pleasure to work. Her approach is thorough and thoughtful with a good dose of curiosity and fun. Her passion is palpable and infectious much to delight of collaborators and audience members alike.

– Craig Hall, Artistic Director of Vertigo Theatre

Anna Cummer
This was my every day: rehearsal room exploration with a talented team of creators. Three – four weeks of rehearsals followed by a week of tech (where the technical elements of the show are introduced) and previews, opening night, and a three week run. However, the theatres have been closed by the pandemic so my “every day” has changed.
Admissions by Joshua Harmon Anna Cummer
Here are the remnants of my Theatre Calgary show, Admissions by Joshua Harmon, that got cancelled on March 13th due to covid-19. We were lucky enough to perform it twice for paying audiences. Hopefully, once things get up and running again, there will be another opportunity to share it with Calgary. Until then, we are “deferred”.
Anna Cummer I never got into acting to see my name in lights but I must say this marque was very gratifying. This marked my debut as a playwright. Thank you Vertigo Theatre for all that you do for this community – big and small.
I never got into acting to see my name in lights but I must say this marque was very gratifying. This marked my debut as a playwright. Thank you Vertigo Theatre for all that you do for this community – big and small.
Anna Cummer Home studio
A new way of working: this is my home studio. A necessity since the closures but something I should have installed years ago. It’s so nice to record auditions and/or broadcast-quality shows from the comfort of my own home. Nothing beats going into studio for a record but this is a great alternative when the first just isn’t an option.
Another new reality for performers: the zoom workshop/record. Creative collaboration will and must continue even if we can’t all sit in the same room together. This was the recording of Cow Girl Up! for PlayMe Podcasts. An amazing group of local and out-of-town artists together under the watchful eye (and ear) of Christine Brubaker, our director.
Another new reality for performers: the zoom workshop/record. Creative collaboration will and must continue even if we can’t all sit in the same room together. This was the recording of Cow Girl Up! for PlayMe Podcasts. An amazing group of local and out-of-town artists together under the watchful eye (and ear) of Christine Brubaker, our director.
Anna Cummer Kids
This is new for so many families: the homeschool. Some days, I feel I’m learning as much as the kids. Thank you to all the teachers and schools that have worked tirelessly to ensure this strange time has some normality. It is so appreciated!
Tomorrow's Child by Anna Cummer
What a brave new world of entertainment! My latest theatrical show to be presented entirely online. Tomorrow’s Child was conceived as a completely auditory experience which makes it such a perfect production to experience in the comfort of your own home on whatever streaming device takes your fancy. Buy a ticket, make yourself comfortable, slip on some headphones, and enjoy the ride!
Anna Cummer
I’m happily still self-isolating for the protection of our community. We will get through this together and be stronger as a result. Theatres will reopen. The live experience, should-to-shoulder, will happened again. But isn’t it amazing we have found ways to still connect and continue making our art.

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What ‘hood are you in?

We live in Richmond Park. However, I usually say Marda Loop as most people know where that is right away. It’s a lovely part of the city. Very close to downtown where I’m usually working and still with a great neighbourhood feel. Lots of young families and beautiful parks.

What do you do?

I’ve been a professional actor for over 15 years and have more recently started writing plays. In order to make a living and stay creatively engaged, I enjoy working in many disciplines. My first love is theatre because of the “lightning in bottle” experience that only live performance can deliver. I do film & television too for the subtly and nuisance of performance required in that medium and the “on-set” shenanigans. And voice-over has and always will be my bread-and-butter. There’s nothing like perfecting the perfect tag line or voicing characters you could never play in real life.

What are you currently working on?

With theatre closures and other covid-19 related distancing measures affecting the film & television industry, I have turned to my writing projects and to performing “in-house” voice-over productions. I have just started working on an adaptation of The Legend of Sleepy Hollow with The Old Trout Puppet Workshop. Last month, I voiced a PlayMe podcast presentation of ‘Cow Girl Up!’, a show that would have played at ATP in May but has been turned into a three-episode podcast offering for the CBC instead. I have also dedicated much of my time to homeschooling my two children. I always marvelled at teachers but now have a newfound respect for the patience and disposition required to teach. I don’t possess either.

Where can we find your work?

Vertigo Theatre and Ghost River Theatre ran an online version of Tomorrow’s Child, a radio play version of Ray Bradbury’s classic short story. This show was originally part of Ghost River’s Six Senses Performance Series as the auditory offering. Newly remastered to optimize the podcast experience, Tomorrow’s Child ran June 4-6 and June 11-13.