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		<title>Review: Miracle on 34th Street at Rosebud Theatre</title>
		<link>https://calgaryguardian.com/review-miracle-on-34th-street-at-rosebud-theatre/</link>
		
		<dc:creator><![CDATA[Josie Simon]]></dc:creator>
		<pubDate>Mon, 24 Nov 2025 15:12:29 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[The City]]></category>
		<category><![CDATA[Miracle on 34th Street]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Tim Dixon]]></category>
		<guid isPermaLink="false">https://calgaryguardian.com/?p=27273</guid>

					<description><![CDATA[<p>Rosebud Theatre &#38; School of the Arts in the Alberta Badlands brings Christmas to life with Miracle on 34th Street. This simple show, with Tim Dixon as Kris Kringle and a tasty buffet, reminds us <a class="mh-excerpt-more" href="https://calgaryguardian.com/review-miracle-on-34th-street-at-rosebud-theatre/" title="Review: Miracle on 34th Street at Rosebud Theatre">[...]</a></p>
<p>The post <a href="https://calgaryguardian.com/review-miracle-on-34th-street-at-rosebud-theatre/">Review: Miracle on 34th Street at Rosebud Theatre</a> appeared first on <a href="https://calgaryguardian.com">Calgary Guardian</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Vertigo Theatre&#8217;s The Da Vinci Code: Symbols, Secrets and Strong Performances</title>
		<link>https://calgaryguardian.com/vertigo-theatres-the-da-vinci-code/</link>
		
		<dc:creator><![CDATA[Josie Simon]]></dc:creator>
		<pubDate>Fri, 30 May 2025 19:12:58 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Performing Arts]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[The Da Vinci Code]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Vertigo Theatre]]></category>
		<guid isPermaLink="false">https://calgaryguardian.com/?p=25659</guid>

					<description><![CDATA[<p>Vertigo Theatre&#8217;s The Da Vinci Code faces the challenge every adaptation confronts: how do you make familiar material feel fresh? Director Simon Mallett solves this by focusing less on faithful recreation and more on what <a class="mh-excerpt-more" href="https://calgaryguardian.com/vertigo-theatres-the-da-vinci-code/" title="Vertigo Theatre&#8217;s The Da Vinci Code: Symbols, Secrets and Strong Performances">[...]</a></p>
<p>The post <a href="https://calgaryguardian.com/vertigo-theatres-the-da-vinci-code/">Vertigo Theatre&#8217;s The Da Vinci Code: Symbols, Secrets and Strong Performances</a> appeared first on <a href="https://calgaryguardian.com">Calgary Guardian</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Review: The Birds and the Bees – Raunchy, Real, and Remarkable</title>
		<link>https://calgaryguardian.com/review-the-birds-and-the-bees/</link>
		
		<dc:creator><![CDATA[Josie Simon]]></dc:creator>
		<pubDate>Fri, 21 Jun 2024 15:12:03 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Performing Arts]]></category>
		<category><![CDATA[Alberta Theatre Projects]]></category>
		<category><![CDATA[ATP]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[The Birds and the Bees]]></category>
		<category><![CDATA[theatre]]></category>
		<guid isPermaLink="false">https://calgaryguardian.com/?p=22561</guid>

					<description><![CDATA[<p>Alberta Theatre Projects (ATP) concluded its season with a remarkable success in Mark Crawford&#8217;s The Birds and the Bees. Under Lauren Taylor&#8217;s direction, this hilarious and heartwarming sex farce resonated with audiences, capturing the unpredictability <a class="mh-excerpt-more" href="https://calgaryguardian.com/review-the-birds-and-the-bees/" title="Review: The Birds and the Bees – Raunchy, Real, and Remarkable">[...]</a></p>
<p>The post <a href="https://calgaryguardian.com/review-the-birds-and-the-bees/">Review: The Birds and the Bees – Raunchy, Real, and Remarkable</a> appeared first on <a href="https://calgaryguardian.com">Calgary Guardian</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>As You Like It: Theatre Calgary&#8217;s Ode to Joyful Storytelling</title>
		<link>https://calgaryguardian.com/as-you-like-it-ode-to-joyful-storytelling/</link>
		
		<dc:creator><![CDATA[Josie Simon]]></dc:creator>
		<pubDate>Mon, 18 Mar 2024 18:46:36 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Performing Arts]]></category>
		<category><![CDATA[As You Like It]]></category>
		<category><![CDATA[Family]]></category>
		<category><![CDATA[performing arts]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[Storytelling]]></category>
		<category><![CDATA[The Beattles]]></category>
		<guid isPermaLink="false">https://calgaryguardian.com/?p=21635</guid>

					<description><![CDATA[<p>On February 27, I had the pleasure of attending a preview of Theatre Calgary&#8217;s As You Like It. Directed by Daryl Cloran, this production brilliantly melds Shakespeare&#8217;s timeless drama with the iconic tunes of The <a class="mh-excerpt-more" href="https://calgaryguardian.com/as-you-like-it-ode-to-joyful-storytelling/" title="As You Like It: Theatre Calgary&#8217;s Ode to Joyful Storytelling">[...]</a></p>
<p>The post <a href="https://calgaryguardian.com/as-you-like-it-ode-to-joyful-storytelling/">As You Like It: Theatre Calgary&#8217;s Ode to Joyful Storytelling</a> appeared first on <a href="https://calgaryguardian.com">Calgary Guardian</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>The Wagonstage: The Little Forest Review</title>
		<link>https://calgaryguardian.com/the-wagonstage-the-little-forest-review/</link>
		
		<dc:creator><![CDATA[Josie Simon]]></dc:creator>
		<pubDate>Thu, 24 Aug 2023 15:12:00 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Performing Arts]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[The Little Forest]]></category>
		<category><![CDATA[The Wagonstage]]></category>
		<guid isPermaLink="false">https://calgaryguardian.com/?p=19601</guid>

					<description><![CDATA[<p>I had the pleasure of attending the Wagonstage Theatre&#8217;s performance of The Little Forest by Clem Martini on August 18 at Bowness Park in Calgary. From June to August, the show ran in several locations <a class="mh-excerpt-more" href="https://calgaryguardian.com/the-wagonstage-the-little-forest-review/" title="The Wagonstage: The Little Forest Review">[...]</a></p>
<p>The post <a href="https://calgaryguardian.com/the-wagonstage-the-little-forest-review/">The Wagonstage: The Little Forest Review</a> appeared first on <a href="https://calgaryguardian.com">Calgary Guardian</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Shakespeare on the Go Recap: ‘A Midsummer Night’s Dream’</title>
		<link>https://calgaryguardian.com/shakespeare-on-the-go-recap/</link>
		
		<dc:creator><![CDATA[Maggie Ma]]></dc:creator>
		<pubDate>Tue, 08 Aug 2023 19:22:39 +0000</pubDate>
				<category><![CDATA[Community]]></category>
		<category><![CDATA[The City]]></category>
		<category><![CDATA[arts]]></category>
		<category><![CDATA[Bow Program]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[theatre]]></category>
		<guid isPermaLink="false">https://calgaryguardian.com/?p=19419</guid>

					<description><![CDATA[<p>This year’s Shakespeare by the Bow Program hosted by Theatre Calgary hit the road as Shakespeare on the Go (AKA ShakesGo) and truly shook up the theatre scene throughout Calgary over the course of July <a class="mh-excerpt-more" href="https://calgaryguardian.com/shakespeare-on-the-go-recap/" title="Shakespeare on the Go Recap: ‘A Midsummer Night’s Dream’">[...]</a></p>
<p>The post <a href="https://calgaryguardian.com/shakespeare-on-the-go-recap/">Shakespeare on the Go Recap: ‘A Midsummer Night’s Dream’</a> appeared first on <a href="https://calgaryguardian.com">Calgary Guardian</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Hardships of Temporary Foreign Workers: A Review of Parts &#038; Labour</title>
		<link>https://calgaryguardian.com/fieldworks-parts-labour/</link>
		
		<dc:creator><![CDATA[Jim Beard]]></dc:creator>
		<pubDate>Mon, 04 Jul 2022 20:16:59 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Performing Arts]]></category>
		<category><![CDATA[actor]]></category>
		<category><![CDATA[fieldwork]]></category>
		<category><![CDATA[immigrant]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[labour]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[playwright]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[verbatim]]></category>
		<category><![CDATA[workers]]></category>
		<guid isPermaLink="false">https://calgaryguardian.com/?p=15867</guid>

					<description><![CDATA[<p>Verbatim theatre is a style in which plays are crafted and structured around precise words from interviews about specific events. Depending on the events structured, and the quality of the interview, an audience may be <a class="mh-excerpt-more" href="https://calgaryguardian.com/fieldworks-parts-labour/" title="Hardships of Temporary Foreign Workers: A Review of Parts &#38; Labour">[...]</a></p>
<p>The post <a href="https://calgaryguardian.com/fieldworks-parts-labour/">Hardships of Temporary Foreign Workers: A Review of Parts &amp; Labour</a> appeared first on <a href="https://calgaryguardian.com">Calgary Guardian</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>The Muse and the Minotaur: A Review of Dora Maar: The Wicked One</title>
		<link>https://calgaryguardian.com/dora-maar-the-wicked-one-review/</link>
		
		<dc:creator><![CDATA[Jim Beard]]></dc:creator>
		<pubDate>Sat, 07 May 2022 00:24:44 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Performing Arts]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[arts commons]]></category>
		<category><![CDATA[brilliant]]></category>
		<category><![CDATA[DORA MAAR: the wicked one]]></category>
		<category><![CDATA[genius]]></category>
		<category><![CDATA[High Performance Rodeo]]></category>
		<category><![CDATA[muse]]></category>
		<category><![CDATA[obsession]]></category>
		<category><![CDATA[Picasso]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[solo-performer]]></category>
		<category><![CDATA[stage]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[theatre]]></category>
		<guid isPermaLink="false">https://calgaryguardian.com/?p=15291</guid>

					<description><![CDATA[<p>Solo-person shows are difficult to pull off. One challenge lies in creating good enough material to keep an audience engaged. A second challenge lies in the actor. Are they dexterous and versatile enough to meet <a class="mh-excerpt-more" href="https://calgaryguardian.com/dora-maar-the-wicked-one-review/" title="The Muse and the Minotaur: A Review of Dora Maar: The Wicked One">[...]</a></p>
<p>The post <a href="https://calgaryguardian.com/dora-maar-the-wicked-one-review/">The Muse and the Minotaur: A Review of Dora Maar: The Wicked One</a> appeared first on <a href="https://calgaryguardian.com">Calgary Guardian</a>.</p>
]]></description>
		
		
		
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